BANGKOK – Brigitte Bardot has issued an appeal to Thai Premier Yingluck Shinawatra to clamp down on the slaughtering of dogs in illegal abattoirs.
In an open letter published on Wednesday, the veteran French actress and animal rights campaigner claims 100,000 canines are being killed every year in Tha Rae in the northeast of Thailand while a similar number are exported alive to meet a similar fate.
“Tha Rae is the centre of a squalid trade in which dogs are killed for their meat or their skin in underground abattoirs after being captured in the street or stolen from their owners,” Bardot writes.
“Every year, 100,000 dogs are killed there. As many if not more are illegally exported from all over Thailand in atrocious conditions, crammed and starved during a 36-hour road journey in order to be brutally killed and eaten in Vietnam.”
Bardot urges Yingluck to watch a YouTube video — “Hell on Earth – Thailand’s Dog Meat Trade” — saying it will not fail to move her.
Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Her mother was 14 years younger than Brigitte’s father and they married in 1933. Brigitte’s mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine “Elle”. Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Le trou normand (1952). Two more films followed and it was also the same year she married Roger Vadim. The two had known each other years earlier and she wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. The union lasted only five years.
Capitalizing on her success in French films, Brigitte made her first American production in Un acte d’amour (1953) with Kirk Douglas, but she continued to make films in France. Brigitte’s explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time–if ever–was electric. Rise to the phrase “sex kitten” and fascination of her in the United States consisted of magazines photographs and dubbed over French films–good, bad or indifferent, her films drew audiences–mainly men–into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene).
Just before she turned 40, Brigitte retired from movies after filming L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have “fans” enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the “Foundation Brigitte Bardot” dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made.